From the lacquer forests

Only less than 3% of the used lacquer in Japan is domestically produced. The production area of lacquerware used to be with the producing area of lacquer. The number of the production area of lacquerware, traditional handicraft, consists of 17 prefectures, but the production area of lacquer is only 10 prefectures. Iwate is the top production area of lacquer by prefecture, and in 2015 production of Iwate was 821 kg, Ibaraki 178 kg and Tochigi 120 kg. Around 70% of domestically produced lacquer is in Iwate, and all the amount is produced in Ninohe, which is Joboji urushi.

Joboji town in Ninohe City has the most lacquer craftsmen in Japan. The lacquer industry had been prosperous here, and there are place names such as Urushizawa, Urushibata, and Urushihara which contains the words “lacquer.” Both lacquer production and lacquer craftsmen have decreased since the 1940s in Joboji as well as other areas. They started to plant lacquer trees in Joboji in order to stop the decline. As a result, Joboji is now the richest area of timber resources. Memorial tree planting is carried out on November 13, the day of lacquer.

Production area of domestic lacquer, leading producing area of lacquerware

Production area of domestic lacquer, leading producing area of lacquerware

1. In Japan, Iwate Prefecture, Joboji urushi production volume source the Forestry Agency special nutrient forest basic materials, Ninohe City
2. Traditional crafts of lacquerware in each area

Production areas of Lacquerware (Traditional crafts designated by Industrial Ministry)

Aomori Prefecture Tsugaru-nuri (coating) (1975)
Akita Prefecture Kawatsura Lacquerware (1976)
Iwate Prefecture Hidehira-nuri (1985), Joboji-nuri (1985)
Miyagi Prefecture Naruko Lacquerware (1911)
Niigata Prefecture Murakami lacquer/wood carving (1976), Niigata Lacquerware (2003)
Fukushima Prefecture Aizu-nuri (1975)
Kanagawa Prefecture Kamakura carving (1979), Odawara lacquer (1984)
Nagano Prefecture Kiso lacquer (1975)
Gifu Prefecture Hida shunkei (1975)
Ishikawa Prefecture Wajima-nuri (1975), Yamanaka Lacquerware (1975), Kanazawa Lacquerware
Toyama Prefecture Takaoka Lacquerware (1975)
Fukui Prefecture Echizen Lacquerware (1975), Wakasa-nuri (1978)
Kyoto Prefecture Kyo Lacquerware (1976)
Wakayama Prefecture Kishu Lacquerware (1978)
Yamaguchi Prefecture Ouchi-nuri (1989)
Kagawa Prefecture Kagawa Lacquerware (1976)
Okinawa Prefecture Ryukyu Lacquerware (1986)

The lacquer forest is
“the forest of cultural treasure.”

Treasures of our country such as national treasures and important cultural asset need repairing to pass down into the future. As most cultural assets are made of natural materials, lacquer used for repairing lacquerware, sedge for thatched roofs should be maintained and at the same time technicians who can treat these materials should be trained. Consequently, the Agency for Cultural Affairs set up “the forest for cultural assets” and has conducted skill training and “Promotion project of hometown cultural assets system.

The lacquer forest of 4ha in Myojin-zawa district which Ninohe City owns was certified as the first “hometown cultural asset” in 2007. In the whole town, the area of lacquer forests is 144ha, and the number of lacquer trees is 210,000. Subsidy system of saplings has promoted raising lacquer planting.

The forest of home cultural assets

Joboji urushi has an authentication mark.

Joboji urushi authentication mark

The authentication mark is designed with the initial letter of j that shows both “Japan,” English word of lacquer, and “Joboji’ ,and it stands for the Japanese Islands, a scratched lacquer tree and a drop of lacquer sap.

“Joboji authentication mark” is a proof of Joboji urushi that has fine quality and credibility.

This authentication system was established for the purpose of a reliable supply, strengthening market competitiveness by adding value and improving enthusiasm of lacquer craftsmen by Ninohe City and Iwate prefecture jointly in 2008. This is the first authentication system of domestically produced lacquer, and the authentication committee of a third party guarantees its quality.

Authentication standards

  • 〇Standards regarding a lacquer craftsman
  • 1. A craftsman should be a member of Iwate prefecture Joboji urushi producers’ association. Or a craftsman who takes lacquer with the traditional technique of urushi tapping that has been conducted mainly in Joboji town in Ninohe City.
  • 2. A peculiar craftsman that Joboji urushi authentication committee permits.
  • 〇 Standards regarding areas
  • Lacquer should be taken in the following areas.
  • 1. Throughout Iwate Prefecture
  • 2. Sannohe district, Hachinohe City, Towada City in Aomori Prefecture
  • 3. Kosaka town in Kazuno District, Kazuno City, Odate City in Akita Prefecture
  • 〇 Quality Standards
  • 1. It should not be deliberately mixed with a foreign body for the purpose of increasing quantity.
  • 2. It should not be mixed with lacquer that is not Joboji urushi.

Guardian of Japanese lacquer

Japanese urushi tapping Preservation Society

Japanese urushi tapping Preservation Society was established in January 1996 for the purpose of the “succession of urushi tapping technique” and “securing lacquer production.” It was certified as preservation society of selected preservation technique, “Japanese lacquer production and purification,” by Cultural Affairs in May that year since the technique was traditional and necessary for maintaining cultural assets, also preserving measures should be taken. It promotes campaigns involving the production of lacquer taken in Japan, such as accepting 42 long-term trainees until 2016, publishing record video and booklets and the like.

Tools of urushi tapping (tools produced by Kudo Takeo)

Tools of urushi tapping (tools produced by Kudo Takeo)

  • 1. Kibera (wood pallet): a tool for scraping lacquer on Gonguri and Tarugake
  • 2. Tarugake (for 3kan,11.25kg): a tool hanged on the lacquer barrel for scraping lacquer on Gonguri when lacquer is moved into the barrel,
  • 3. Tarugake (for 5 kan, 18.75kg): a tool hung on the lacquer barrel for scraping lacquer on Gonguri when lacquer is moved into the barrel
  • 4. Gonguri: a tool for scraping lacquer from the bottom of Takappo (a wooden vessel) when lacquer is moved into lacquer barrel from Takappo
  • 5. Eguri: a tool for Uramekaki, tapping the spots undone, instead of the lacquer plane
  • 6-8. Lacquer planes: tools with blades for scratching a tree and Mesashi for cutting a notch
  • 9-11. Pallet: a tool for tapping sap. The smaller ones are used for tapping branches.
  • 12. Hatchet for cutting branches: used for cutting branches to tap
  • 13. Peeling sickle: a tool for smoothing the surface of wood by peeling its skin

(Main activities)

■ 1. Training skill keepers

 People desire to learn urushi tapping skills are admitted.

Long term training (conducted for 5 months, from June to October): 2-3 persons a year

Short term training experience (three days): the implementation schedule is to be set in each season

■ 2. Training skills and technique

 Securing tools, analysis of produced lacquer, checks and inspection visits in lacquer forests and producing areas in Japan and mutual interaction with persons concerned are conducted, and its primary purpose is to support skill holders.

■ 3. Making records and publication

 General investigation for grasping skills involved in “lacquer,” oral survey on the lacquer craftsman’s life and skills, lacquerware production for understanding the characteristics of domestic lacquer and projects to record the process of producing urushi tapping tools and making their models.

Publications so far

♦ 1999 『Lacquer-craftsman’s living of urushi tapping』

♦ 2005 『A year of a lacquer craftsmanーOmori Shunzo’s skillsー』

♦ 2014 『Planting trees and tapping lacquerーSuzuki Kenji’s skills-』

■ Others

 Information and materials are provided to research facilities such as museums and the media and the like when requested, and activities to promote understanding and awareness of the Preservation Society and “Japanese domestic lacquer.”

Secretariat Preservation Society of Japan urushi tapping skills secretariat (Ninohe City Lacquer industry division)

TEL : 0195-38-4472 FAX : 0195-38-2218

Tales of craftmen

People who tap Urushi, who paint Urushi, and who make tools for Urushi...
Here is a collection of stories of people who are engaged in Urushi industry for this area